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Juan José Rezzuto
- Oct 24, 2018
- 2 min
Rotation Movement - Scaramuzza Piano Technique
Introduction This article is much better understood after attending the masterclass dictated by Juan Rezzuto at WKMT. In other words, this article is meant to be used complemented Juan Rezzuto's masterclass on “rotation” movement. Definition The “rotation movement” is one of the most complex movements in the Scaramuzza technique. It involves the supinator and pronator muscles, the forearm, the palm, and the fingers primordially. The idea behind the application of this movemen
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Juan José Rezzuto
- Oct 16, 2018
- 3 min
Wrist Movement
Anatomy We will give a name to a movement based on the part of our body that moves and becomes responsible for actioning the keys. In the case of the wrist movement, in particular, this clarification becomes fundamental to understand how to produce this movement.
Even though the wrist movement is “seen” to be happening at a “wrist level,” the muscles responsible for moving the wrist are not located on the wrist. The muscle which is eminently in charge of the activation of t
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Juan José Rezzuto
- Jul 2, 2018
- 2 min
Four remarkable piano performances / VII WKMT Music Festival 12.05.2018
It was a pleasure to see our piano students in action at our last Music Festival. It was very satisfactory to me as director of WKMT to look at our students making sustainable progress since the previous edition to this one.
The repertoire performed was of a much higher level, and the quality of the performances was noticeably more robust. The majority of our students look relaxed while playing. I was particularly happy to see performers like Marinela Pasca, already deliver
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Juan José Rezzuto
- Apr 25, 2018
- 3 min
Hand settlement and Left Hand
Hand placement can prove to be fundamental for the implementation of an efficient piano technique. I have seen my students, and sometimes even myself, trying to apply a specific piano movement to a particular passage without having adequately settled the hand into the keyboard. What does settlement imply? I personally consider a hand is appropriately “settled” when it is inserted on the piano in a way in which it can easily support the weight of the fingers without having to
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Juan José Rezzuto
- Apr 4, 2018
- 4 min
PIANO PRACTISING: HOW TO PRACTISE MORE EFFICIENTLY
PIANO PRACTICE ROUTINE: HOW TO DEVELOP A MORE EFFICIENTLY PRACTISING TIME An exemplary student: Mark Yeo performance of Haydn Bozner Sonata at WKMT Music Festival 18.11.2017 London - Fitzrovia Not performing for long time-spams can prove to be detrimental to our artistic abilities. To be honest lacking time for piano practice is the worst enemy of any kind performer. Reaching the momentum once again can prove to be both very tedious and a quite disappointing process altogethe
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Juan José Rezzuto
- Mar 13, 2018
- 2 min
Piano Technique - Arm Movement
Considerations Arm movement is the “largest” of all pianistic movements. It involves the use of more muscles than any other movement in our technique. It can be used, along with the forearm movement, to enter in the piano at the beginning of our performance. It can easily be used for expressive accompaniments. Functions Negative movement
The movement starts from the back of our arm, it pushes our wrist until it gives in. Simultaneously, one finger works as an axis stopping th
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Juan José Rezzuto
- Feb 11, 2018
- 3 min
Practising on a digital piano or on an acoustic piano?
Keyboard vs piano? Introduction Many things have been said about practising on a digital piano. Old school piano teachers state that piano students should never practise in digital pianos because it can ruin their sense of tone. They also say it can also affect the way they project the sound and how they manage textures. in reality, there is hardly anything written about the disadvantages of studying on a digital piano. Seemingly, the good old maestros are too busy playing th
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Juan José Rezzuto
- Dec 30, 2017
- 2 min
Compound Themes - Interpretation
Compound Themes Size 16 measures (standard) Types There are two types of Compound Themes Compound Period The compound antecedent can be built up of: Presentation Antecedent Compound Basic Idea + Continuation The compound antecedent: generally ends in HC It can’t end in "consequent" as it would bring the b.i. back too early in the theme. 1. Presentation + Continuation The reinstatement of the b.i. at the beginning of the presentation is perceived as a “repeat”
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Juan José Rezzuto
- Nov 22, 2017
- 2 min
Harmony review - Analysing Haydn Piano Sonatas
Harmony review - Analysing Haydn Piano Sonatas It is fundamental, for the sake of music analysis, to be very confident about our knowledge of harmony. This article reviews those harmonic functions and elements usually found in most classical sonatas. Harmonic Progressions Prolongational One of Haydn’s most commonly used progressions; prolongational harmonies serve to support the harmonic effect of a chord through the use of 4 different methods: Neighbouring chords We can easi
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Juan José Rezzuto
- Nov 16, 2017
- 2 min
WKMT Piano Scholars
WKMT was established in 2010. In its beginnings, WKMT tried and employed many different piano teachers, some of them became part of its pedagogical core while some other passed through leaving behind beautiful musical remembrances.. Since 2017, WKMT differentiated itself from all other private organizations and become a part of a smaller elite group… WKMT is one of the few London practises which offers lessons with fully committed piano teachers. Our professionals are careful
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Juan José Rezzuto
- Nov 11, 2017
- 2 min
Forearm movement - Piano Technique
Forearm Movement - Piano Technique Definition and structure The forearm movement is made of two very distinct stages -its positive and its negative movements-. The negative movement becomes its most important compound as it is paradoxically the one that requires the muscles to be enacted. Structure Negative movement The elbow should be left completely relaxed forming a 90 degree angle (approximately) between the shoulder and our hand. All the job of lifting the forearm itself
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Juan José Rezzuto
- Oct 24, 2017
- 2 min
Haydn Sonatas - Transition in general
From all piano sonata sections, the transition is by far the least defined of them. Some musicians say the transitions are the truly creative functions of the sonata form; some others say the exact opposite -that they are the most technical of all sonata functions-. The position we adopt will depend on whether we consider compositional resources as means to create something new or to develop something we already created. The main purpose of transitions is to destabilize the s
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Juan José Rezzuto
- Sep 26, 2017
- 2 min
How to analyse Haydn Piano Sonatas
How to analyse Haydn Piano Sonatas Introduction Analysing all Haydn Piano sonatas imply being aware of many different concepts related to the composition of these pieces. In general, my analysis are based on the theoretical work “Classical Forms” written by William Caplin. This is a quite extensive book which explains all the basics and particularities of classical forms. My analysis are fundamentally different to others, mainly because they integrate the compositional, harmo
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Juan José Rezzuto
- Sep 1, 2017
- 3 min
Is it late for me to start learning piano?
Classical music and most specifically piano can come to us at very different points of our life. My former maestro, Bruno Gelber, used to say that for the majority of people, classical music arrives during maturity. Does this mean that it is too late for mature students to develop practical piano skills?
Not really. There's not a minimum age for piano lessons.
As opposite to sports, performing the piano is an activity we can carry on doing until the very last stages of our
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Anthony Elward
- Aug 27, 2017
- 2 min
Practicing Problems
Practicing problems analyzed by our piano teacher in London.
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Juan José Rezzuto
- Aug 12, 2017
- 2 min
Haydn Sonata in F Hob. XVIF3 - 1st movement / development
DEVELOPMENT This section opens with theme A transposed to the dominant tone as expected. It is then followed by an episode focusing on the tail of the first episode’s motive. It basically utilises the last descending section of the passage anticipated by two semi-quavers from episode-one’s ascending gesture. These gestures are used in contribution with the build-up of episode-one’s main motive recapitulation. Haydn will instate a longer sequence of repetitions on this motive,
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Juan José Rezzuto
- Aug 9, 2017
- 3 min
Haydn Sonata in F Hob. XVIF3 Bozner
I - Allegro Moderato This is a rather unussual example for an early Haydn Sonata. The way it is written proposes a big challenge to the pianist. This challenge is not a technical one though; it is mainly interpretative... NOTE: For the sake of this analysis, we will only consider themes, those musical compounds which are more than 8 bars long. EXPOSITION Theme A The correlation between short and long notes and the way in which Haydn establishes a melodic vertical line moving
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